International Women’s Day 2021

Today on International Women’s Day, a tribute to the women of Kashmir and Palestine, and all women living under occupation and facing genocide. “Palestine and Kashmir are both carved up by borders. People are swallowed whole. Stories are silenced and blood flows into rivers. Military checkpoints, armored vehicles, and borders occupy not just the land, but penetrate deeper, into the psyches of people. Occupation is sophisticated. It aims to destroy culture and to terminate people. For many Palestinian and Kashmiri women, their very existence is a form of resistance. Women are the culture bearers. They are the bringers of life. Their stories of existence and resistance hold in them a vision for a future where the bodies and spirits of their children will not bear the marks of occupation. This vision is the whisper of freedom.”

[From: ‘Makers of Memory: Women in Occupied Palestine and Kashmir’ by Tara Dorabji and Susan Rahman]

The Warp & Weft – Second Set of Stories

4 more stories today, including one in Spanish, and a 3-part artistic response by Andrea Vazquez-Aguirre Kaufmann! Stories by Tania Day-Magallon, Erica Bryant, Darien Lamen and Charlotte Clarke. Listen here and pls ‘refresh’ if it takes time to load.


El Lenguaje es mi Tierra, mi Identidad por Tania Day-Magallon
Language is my Land, my Identity by Tania Day-Magallon: Language is my land, my home, my mother; and these three elements are feminine in Spanish. When you strip me of my language, it takes away my form of expression. A part of me and my Divine Feminine is left bone-dry. My identity is not only changed – I migrate out of myself and end up farther away from home, which is already physically distant, on the other side of the wall.

Celebrate With Me by Erica Bryant
I have one photograph of my great grandfather, Roscoe Foster. He is sitting in a rocking chair, on the porch of his home in Columbia, Mississippi, with a black dog. Family says that when the Ku Klux Klan was riding near, he would sit on that porch with a shotgun.

Time Travelers by Charlotte Clarke
Time. It is stamped upon our birth certificate upon arrival and upon our death certificate at departure. It is also the container for everything in between.

A Cover Story by Darien Lamen
Sometimes I feel like a ghost, haunting the ruins of respectable society. My name is Darien Lamen, PhD. But Lamen isn’t my real name – it’s a cover story.

A Three-Part Response to the Archive by Andrea Vazquez-Aguirre Kaufmann: A dance and video response

The Warp & Weft is a multilingual archive of stories that seeks to capture the 2020 zeitgeist. The archive is curated by interdisciplinary artist and activist filmmaker Mara Ahmed. A set of new stories will be released each week via RoCo and Mara’s social media, during the course of ‘Last Year on Earth.’

What It’s Like When Racism Comes for You

‘The trope of the “perpetual foreigner” has long kept Asian Americans from being viewed as fully American. Geopolitics can make it worse, Borja said: American politicians now regularly criticize—even villainize—China, admonishing its government on issues related to trade policy, technology, and human rights. When that rhetoric is irresponsible—when it targets regular people, not leaders—even Asian Americans who aren’t Chinese can feel the effects stateside.’ More here.

The Warp & Weft – First Set of Stories

The wait is over! The Warp & Weft is coming to life! Here are the first 4 stories and a musical response. Pls listen here.


My Story by Lauren Jimerson
I have a story for you and, I am sorry to say, it is not a happy one. My son and I completed work for a BIPOC art show, at a local gallery. I submitted a self-portrait that depicts a human alien. It’s a visual representation of the alienation I experience being out in the world.

My Love Affair with Food by Debora McDell-Hernandez
My relationship with food is a story of a quest for culinary euphoria, but there are many chapters in this story such as family traditions, friendships, travel, love, grief, comfort, and survival.

Black Futures Matter by Quajay Donnell
Growing up, I don’t recall sitting down with my mother and stepfather talking about the birds and bees, but I do remember the other talk. The one about how to respond and act when dealing with the police. That talk is one of survival if you find yourself face-to-face with the law. I remember it vividly.

Moja djeca, gdje duša na?e mi smiraj – Alma Omerhodzic
My Children: Where My Soul Finds Peace by Alma Omerhodzic: It always starts this way. Suddenly, without warning, and right in the deepest core of my being. Sometimes it is a smell, sometimes a taste, and other times, I am not even sure why, but a word will hit me in the depths of my soul, depths that I didn’t know existed.

Lost Property by Sarah Gillespie: A musical response to the archive

The Warp & Weft is a multilingual archive of stories that seeks to capture the 2020 zeitgeist. The archive is curated by interdisciplinary artist and activist filmmaker Mara Ahmed (@mara__ahmed). A set of new stories will be released each week via RoCo and Mara’s social media, during the course of ‘Last Year on Earth.’

Decolonizing Art for Art’s Sake – The Markaz Review

My piece about decolonizing art for art’s sake in The Markaz Review today! It looks at Rameau’s opéra-ballet, ‘Les Indes Gallantes,’ and compares a stunning production choreographed by Bintou Dembélé (she uses street dance to subvert the colonialist ideology of the opéra) with two underwhelming mainstream white performances that somehow made it to prestigious stages. It’s a look at racism in the arts and how it leads to the recycling of sub-par work. To more art and narratives by people of color. Read here.