The brilliant Batool Abu Akleen, whose poems we have read for the Warp & Weft, is publishing her first book! Pls pre-order and support her astonishing work.
48kg. By Batool Abu Akleen Translated from the Arabic by the poet, with Graham Liddell, Wiam El-Tamami, Cristina Viti & Yasmin Zaher A debut collection from the Palestinian poet—Modern Poetry in Translation’s Poet in Residence, 2024—a bilingual assembly of forty-eight poems in which each work accounts for a single kilogram; a body’s mass; a testament to a sieged city; a vivid and visceral voicing of the personal and the public in the midsts of unspeakable violence.
it’s my birthday tomorrow. for all the murderous violence in this world and the devaluation of life (even the lives of children – our common future), i am grateful for the small community of friends i have on this planet – people who continue to fight for justice even when it’s inconvenient or painful, people whose hearts are always in the right place whatever absurdities might be floating around them, people whose moral clarity helps us see thru racist ideologies and imperial politics warped by greed and propaganda. so a big thank u to my community all over the world. if u think of me tomorrow, pls donate something (whatever u can) to the gaza municipality and to heal palestine.
Thrilled to announce that I will be presenting virtually on Jan 23, 2025 (7pm) at the Arts + Change Conference organized by the University of Rochester Institute for the Performing Arts.
We will screen my short film, Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation. If you haven’t seen it yet, you can catch this free online screening. I will introduce the film by breaking down some of its themes e.g. colonial representations and narrative control through images and culture. There will be time for Q & A of course:)
Last Friday I had the honor of spending some time with the brilliant (and extremely generous) @briannalhb who gave me a private tour of “Reclaiming Death: Art, Ritual, and Advocacy at End of Life, a group exhibition featuring Jeremy Dennis, Jenie Gao, Brianna L. Hernandez, Jonathan Herrera Soto, Resham Mantri, mk, Nirmal Raja, Denise Silva-Dennis, Adrienne Terry, and A young Yu in collaboration with Nicholas Oh. Each participating artist presents personal and culturally significant methods of relating to grief and death in ways that are healing and connected to heritage.” The exhibition challenges western ideas of death and mourning. In Brianna’s words, as the exhibition’s curator: “In a social atmosphere where death is primarily avoided or otherwise presented through platitudes and euphemisms, translating death from heritage and lived experiences is vital in honoring the vastness of end-of-life practices and our inextricably tied humanity.” Reclaiming death can be seen until November 30. Pls contact the venue to arrange a viewing. It’s at Ma’s House & BIPOC Art Studio, a communal art space led by Indigenous artist Jeremy Dennis and based on the Shinnecock Indian Reservation in Southampton. Here are a few images but one truly needs to be immersed in this important exhibit.
Everywhere we went in Copenhagen, but particularly in Norrebro, there were beautiful signs/ symbols of people’s love for Palestine. These are just a few pictures, I could have taken photos all day. Whatever the wretched politicians of the West (and some of their puppet regimes in the global south) might say or do, the vast majority of people want justice and freedom for Palestine
back in the US, where the state kills black men at home and funds concurrent genocides in the global south. stress is predictably next level. picture of our place in malmo.
From THE GREAT REPAIR MOVES NORTH, an exhibition at the Form/Design Center in Malmo, Sweden, which focuses on the conflict between ecological balance and uncontrolled growth and advocates a new architectural ethos centered around repair. What we are seeing in Palestine, Lebanon, Syria, Iraq and other parts of the world is not just an attempt to exterminate people but also entire knowledge worlds.
our beautiful speakers, musicians, artists, organizers, and audience members at imagine palestine on aug 23, 2024. thank u muna, dina, andrea, hernease, lamisa, matt, molly, jennifer, megan, rashaad, michelle, jackie, wegdan, halima, and rachel <3
so grateful for beautiful people in this world who can come together, almost at the last minute, and create small disruptions (with ripple effects – always ripple effects) in systems of imperial power and destruction. thank u rachel crawford and matt mcdonald for being my compadres. more pictures from ‘imagine palestine’ soon!
some pictures from imagine palestine: an evening of poetry readings and music to raise funds for gaza at the @swedgemission in #rochesterny. a space full of beautiful people who shared visions of freedom for palestine, and stunning palestinian poetry in conversation with live music. a full house where we were able to raise thousands for the gaza municipality.
the struggle to decolonize is something special. it creates love and solidarity between complete strangers. it builds community <3
this will be a series of events to support and celebrate gaza and palestine. stay tuned!
organized by @unabridged.roc, mara ahmed and matthew mcdonald
good morning rochester! i am back and so looking forward to imagine palestine, an evening of poetry readings and music to raise funds for gaza, today at 7pm at the south wedge mission in rochester, ny. 12 artists and activists, 4 musicians, 7 poems by palestinian poets, multiple visions of palestinian futures, the reading of a beloved classic by a resistance writer, and a unique juxtaposition of silence for gaza by mahmoud darwish and musical reflections. all of it to come together in one space and provide mutual aid to the gaza municipality which is doing essential work at this moment. the event is free but pls come ready to donate and intervene in systems of oppression. see u at 7pm this evening!
So proud to attend the opening of my friend Safia’s photography exhibition at the Glen Cove Public Library yesterday! Here is more about her brilliant project:
“Living Water for Women is a halfway house located in Glen Cove, NY that fosters growth and independence for formerly incarcerated women to overcome their addictions. In 2016 l established biweekly art workshops at the home. At each session we use art as means of communication and expression. In this process, stories are shared, tears are often shed, and an important community has been created. These women are often shunned and forgotten by their families, friends, and society. They have important stories to share to help those who might also be struggling with addiction, mental health issues, and jobs. By combining portraits with transcribed interviews, I hope to both empower these women and raise awareness about addiction.“
Friends, as you know settler colonial violence has reached shocking levels in Gaza, with non-stop bombings and massacres for the past 10 months.
Gaza’s infrastructure has been systematically destroyed which means that along with starvation (on account of the food and water blockade), deadly epidemics are also setting in. The poliovirus has been found in sewage water now flowing freely in Gaza.
The Gaza Municipality provides water, sanitation and sewage management, waste collection, the removal of debris and reopening of key thoroughfares to facilitate movement, and aid to personnel doing heroic emergency work. They have started a fundraiser and are trying to raise a million dollars. They still have a long way to go. Let’s support them.
At this gathering, we hope to imagine Palestine beyond the ongoing horrors. Fanon said: “The settler’s work is to make dreams of liberty impossible for the native.” Let’s challenge such temporal control and envision Palestinian futures free of Zionist settler domination.
We will read poetry by Palestinian poets and writers, some of them iconic, others still relatively young. We will listen to music that will frame beautiful words of hope and resistance, and inspire us to visualize freedom for Palestine.
This is a free event where we will invite everyone to donate directly to the Gaza Municipality. Let’s articulate a just future in the face of imperial death cults – it’s a radical act!
Organized by Unabridged Literary Arts, Matthew McDonald and myself/ Warp & Weft Archive. Join us!
3 more artists from the Whitney Biennial that I loved. The last artist in particular has truly moved me to think about our current apocalyptic times in a different way by subverting colonial language and the limited, dismal visions it embodies.
Kiyan Williams, born 1991 in Newark, NJ: In Williams’s outdoor sculpture Ruins of Empire /I or The Earth Swallows the Master’s House, the north facade of the White House, which is composed of earth, leans on one side and sinks into the floor… The labor history embedded in the dirt points to a fragility in our political foundations, while the earth’s erosion embodies a critique of institutionality at a moment when institutions are toppling.
Rose B. Simpson, born 1983, Santa Fe, NM: In Rose B. Simpson’s Daughters: Reverence, four figures gaze at one another, creating a kind of force field of protection and solidarity that stands in contrast to an unstable world. “My lifework,” Simpson has explained, “is a seeking out of tools to use to heal the damages I have experienced as a human being of our postmodern and postcolonial era-objectification, stereotyping, and the disempowering detachment of our creative selves through the ease of modern technology.”
Demian Diné Yazhi’, born 1983 in Gallup, NM, we must stop imagining apocalypse/genocide + we must imagine liberation, 2024: As a poet and activist, Dine Yazhi’ has thought about how to use a colonizer’s language against colonialism, noting that they “want to see more poetry at protests.” Written in red neon, the text in this work emerges from the artist’s reflections on Indigenous resistance movements. Diné Yazhi calls on people working toward liberation to avoid predicting futures rooted in a Euro-Western “romanticization and addiction with apocalypse,” speculating that accepting catastrophe as a given leads to “writing our own demise or prisons.” Instead, they advocate for writing stories of liberation, finding alternate ways to work through oppressive moments as a collective.
So I went to the Whitney Biennial in NY and what I liked most was the work of Indigenous/ Asian/ South American artists. Here are some examples
-Cannupa Hanska Luger born 1979, Standing Rock, ND: “This installation is not inverted… our current world is upside down.” For the artist, upending our grounding in time and space makes way for imagined futures free of colonialism and capitalism, where broader Indigenous knowledge can thrive.
-Takako Yamaguchi, born 1952 in Okayama, Japan: Her recent seascapes use meticulously rendered zigzags, tubes, and lines to suggest weather and other natural elements. They reflect Yamaguchi’s experimentation with what she calls “abstraction in reverse,” or taking recognizable forms, like clouds or waves, and abstracting them to the point of pattern.
-Clarissa Tossin, born 1973 in Porto Alegre, Brazil: Clarissa Tossin’s film appears alongside 3D-printed replicas of pre-Columbian Maya wind instruments. Tossin had the replicas made so that they could be played in the film, which traces the movement of Maya people and culture across multiple spaces and temporalities, real and imagined, cosmological and colonized. The fact that the ancient instruments are not available for use-isolated from their original context and kept behind glass in museum collections-can be seen as a distillation of the themes of dislocation and tradition that Tossin works to reconcile in the film. Featuring the Kiche ‘Kaqchiquel poet Rosa Chávez and the Ixil Maya artist Tohil Fidel Brito Bernal, the film looks at ways in which contemporary Maya culture is activated by means of both reclamation and re-creation.
