The Warp & Weft – Fifth Set of Stories

4 new stories from the Warp & Weft including a poem by Shadia Nilforoush, a story about ableism, isolation and risk-taking by Luticha A Doucette, a story from Belgium by Pascale Lorette, and another about the importance of touch by Roberta Schwartz Arlo Baldo. Finally, a beautiful response to the archive by Kirin Makker. Listen, read, engage with art and stories from the human family here.

Repost from Rochester Contemporary Art Center:

Head over to maraahmedstudio.com and listen to the newest stories from The Warp & Weft archive!

An Identity in Tendrils by Shadia Heenan Nilforoush
Chota Bhai, my baby brother
His skin is four shades – possibly seven – darker than mine. [Photo: Luke Seward]

Risk by Luticha Andre Doucette
In the beforetimes, I took a risk. Social isolation is not something that is new to me as a disabled person. When I think back on the course of my life, the majority of it has been spent in isolation. This isolation is due to no fault of my own, it is just a function of ableism in this country. [Photo: Erica Jae]

Coronavirus, l’épidémie à nos portes par Pascale Lorette
Coronavirus, the epidemic at our doorstep by Pascale Lorette: I should also mention those magical moments, every evening at 8 p.m., throughout Belgium, when we would meet at our windows or on our terraces to applaud healthcare workers. What beautiful sharing, what an emotion! [Artwork: Sam Sam]

It’s About The Touch by Roberta Schwartz
While sewing those masks made from delicately woven fabric as filmy as a cobweb, I felt the presence of the Jewish tailors and seamstresses who came before me in my family, and the textile workers in Hebron, who struggle to survive. [Photo: Adam Eaton]

Touch by Kirin Makker: An artistic response to the archive

The Warp & Weft is a multilingual archive of stories that seeks to capture the 2020 zeitgeist. The archive is curated by interdisciplinary artist and activist filmmaker @mara__ahmed. A set of new stories will be released each week via RoCo and Mara’s social media, during the course of ‘Last Year on Earth.’

Leave a Reply