Asim Rafiqui: Bagram – The Other Guantanamo

last week while in providence, RI, where i interviewed dr zamindar for “partition stories,” i also met and interviewed asim rafiqui. photographer extraordinaire, writer, journalist, activist. born and raised in pakistan, studied at columbia, is now based in sweden. brilliant, perceptive, incredibly humble. his work on the families of 40 pakistani men held at bagram will be on display at brown throughout this summer. he photographs some of the most marginalized, brutally invisibilized pakistanis, yet their beauty and dignity shine in his work. these are some of the most beautiful photographs i have ever seen and some of the most compelling stories i have ever read.

“They are ghosts, and I have spent nearly two months trying to find any evidence of them. They are the 40 Pakistani men who remain imprisoned, without charge or evidence, by the Americans at the Bagram Air Base in Afghanistan. They have not been see or heard by anyone other than their immediate families who are granted carefully monitored and heavily censored telephone and internet video call access. Some of the men have been in Bagram, often called one of America’s most notorious prisons, for over 11 years. Denied access to the press, human rights organizations, and legal representation, these men have been silenced and erased, the evidence and rationale for their incarceration beyond the eyes, ears and focus of the public and the media. This is intentional and part of a process of systemic dehumanization that enables the unjust detention and cruel prison conditions the men face. Until 2012, their own government refused to recognize them as citizens of Pakistan. I have spent two months traveling across Pakistan trying to discover something, anything, about them. And I have found the traces of these imprisoned men in the testimonies and stories told by their families–the children, wives, parents, and siblings they left behind, who anxiously wait for their return, and determinedly fight for their release. Sitting in homes located in the deepest depths of the slums of Pakistan’s mega-cities, in small farming communities, and in remote settlements near the border with Afghanistan, I have heard tales of the men’s lives, childhood, dreams and hopes, and, of the emotional and economic consequences inflicted on the lives of entire households. My journey has brought me in touch with some of the most economically marginal and desperate people I have ever met. And what I have felt as I have sat in their tenement rooms and mud homes is a terrible shame and anger at the realization that not only has their own government failed to live up to its responsibility, but that another nation–one that brags about its global economic might and unmatched military power, has chosen to torture, humiliate, and indefinitely incarcerate some of the poorest, and the most economically weak people I have ever met.”

More here.

Free Jalil!

Yesterday (June 12, 2014) at 3:00 pm, we gathered at the corner of South Ave and Byron St in order to walk across the street to the Rochester regional parole office to deliver petitions and a statement demanding parole for Jalil Muntaqim.

free jalil rally
free jalil rally
mara ahmed - free jalil rally
mara ahmed – free jalil rally
free jalil rally
free jalil rally
free jalil rally
free jalil rally

Roundup of our Indiegogo Campaign

Dear Friends and Supporters,

As you know Partition Stories was successfully funded 4 days prior to our deadline. Contributions kept coming in, however, and the campaign ended on May 25th. We raised $12,215 to post produce the film in 2014! Thank you for supporting us through our 6-weeks long campaign.

For Surbhi and I crowdfunding was an exciting journey full of wonderful surprises. We discovered clusters of support that stunned us, people we didn’t know who became the film’s Executive Producers, and friends we counted on but who contributed at levels that were unbelievably generous. We were touched by Nandita Das’s endorsement. She tweeted about Partition Stories and became an important contributor. Her tweet generated a wide spectrum of responses. There was some pushback about reinvestigating the past and the possibility of reconciliation. It makes our film all the more meaningful it seems.

We learned from this experience that Indiegogo isn’t just about fundraising – it’s the perfect platform to connect with talented and dynamic people all over the world. In 6 weeks our campaign page was visited by 3,000 people from almost 40 different countries! We are perennially grateful to John Siddique, who is not only letting us use his writing but has also been a wonderful ambassador for the film. Jimmy Engineer’s collaboration is so unexpected and valuable that it still takes our breath away – his Partition Paintings are Homeric in their scope and detailed storytelling. Connecting with Zeshan Bagewadi was another serendipitous turn of events as he was dreaming up a musical project that fit Partition Stories beautifully. Renowned Partition historian Vazira Zamindar consented to be interviewed and Urvashi Butalia, who has written the seminal “The Other Side of Silence: Voices From the Partition of India,” agreed to let us use her work in our documentary.

In short, we are enthused to get working on this film! It’s cool to be connected to our supporters directly, without any intermediation. We will keep you posted as we edit the film over the next few months and we look forward to fulfilling your rewards once the film premieres in early 2015.

Please keep in touch and let us know if you have any questions or comments.

Our Facebook page: www.facebook.com/partition.stories.film
Our Tumblr Blog: www.neelumfilms.tumblr.com
Partition Stories’ Website: www.NeelumFilms.com
Surbhi’s Website: www.SurbhiDewan.com
On Twitter: www.twitter.com/maraahmed

Lots of love and good vibes,

Mara and Surbhi

partition stories on indiegogo
partition stories on indiegogo

reconciliation is a dirty word?

nandita das tweeted her support for our film. incredibly aggressive response to her tweet by those who feel threatened by “secularism” and “reconciliation.” makes our film all the more important and timely it seems to me. check out the thread on twitter here.

We made it!!!

Congratulations to all our supporters and contributors! Partition Stories will be fully post produced by the end of this year. If you want to be one of the first people to view the film, you still have 4 days left to join our very cool international team! YES!

partition stories is fully funded!
partition stories is fully funded!

Press coverage for Partition Stories

Dear friends and Partition Stories supporters,

We have passed the $10,000 threshold! We are 85% funded and have 10 days to go. Please help us spread the word once again in order to reach our goal of $12,000!

A few days ago India Abroad, a weekly newspaper published in New York City, did a story on our film. Here it is:

partition stories in india abroad
partition stories in india abroad

We were also on the front cover of the Weekly Voice published in Mississauga, Canada:

partition stories in the weekly voice
partition stories in the weekly voice

We are excited about the attention Partition Stories is getting and we cannot wait to start post producing the film. Please share our campaign widely so we can do so in 2014!

We’re 83% funded – 12 more days to go!

Partition Stories
Partition Stories

THANK YOU TO OUR WONDERFUL SUPPORTERS:

Farah Masood
Naaz and Hasan Mustafa
Brian Bailey
Dana Barry Lloyd
Seema and Madhu Chadha
Ritu Sethi
Shailja Kaushal
Neal Dhand
Alexey Mishonov
Suguna Dewan
Thomas Gibson
Arun Babu Baluchamy
Gail S Mott
Cholpady P. Kamath
Surabhi Srivastava
Pooja & Bhavesh Shah
Robin Raju
Aloke Paskar
Cary McClelland
Ellen Graser

Nandita Das tweets about Partition Stories

Indian film actress and director Nandita Das supports Partition Stories and tweets about it. She has appeared in Deepa Mehta’s Earth and she’s directed Firaaq. Both films are about the partition of India. Pls help us reach our goal and make the film happen!

nandita das supports partition stories
nandita das supports partition stories

More about Nandita:

Nandita Das (born 7 November 1969) is an Indian film actress and director. As an actress, she is known for her performances in Fire (1996), Earth (1998), Bawandar (2000), Kannathil Muthamittal (2002), Azhagi and Before The Rains (2007). As a director, she is known for her directorial debut Firaaq (2008), which has won a number of national and international awards. She has been awarded the Chevalier of the Ordre des Arts et des Lettres by the Government of France for her work. Nandita Das was the first Indian to be inducted into their International Women’s Forum’s hall of fame for her contributions to arts.

Partition Stories featured on Dear Cinema [Indian Independent Films]

“We started work on Partition Stories over five years ago, but in many ways the film has been a part of our lives since we were children, when we heard stories about this most painful and arduous journey undertaken by our families. It is now our turn to tell their stories, and the story of a shared culture, language and history. Partition Stories is an attempt to document the event, preserve memories, and pay homage to these brave men and women in our lives.” More here.

Collaboration with Jimmy Engineer!

Brilliant news! I spoke with Jimmy Engineer yesterday. An enormously talented Pakistani artist and humanitarian, someone often described as a national treasure, Jimmy is particularly well-known for his stunning series of paintings about the partition of India in 1947. Jimmy has consented to let us use his minutely detailed, vivid paintings in order to bring the trauma of partition to life. During our conversation, he said that he evaded some of the more gruesome scenes of partition because he is more interested in healing, in giving hope to younger generations. We are honored to collaborate with someone of Jimmy Engineer’s stature and talent.

Smriti Daniel:

An artist of renown, Jimmy is famous for his enormous, sprawling canvases, in particular his series on the Partition of India, where literally hundreds of figures are discernable, all caught up in a violent, heart breaking migration across a nation riven with religious conflict.

In ‘Refugees Resting Under a Tree in 1947,’ a 7ft by 5ft canvas painted in 1977, the eye must first take in the throng of humanity in motion, each section offering its own small tableau. First look at the old man being pulled to his feet by a father with a child on his shoulders, the woman clutching her son, eyes dilated in fright, the wounded man borne in the arms of another, the man driving his cart determinedly through the crowd, another on foot carrying the flag of Pakistan.

Now, look deeper into the painting, past this swatch of land thick with suffering people, to the shadows of thousands more walking behind, look deeper to where an overburdened train rumbles along the rails. Can you see the men dangling from its roof, determined to join the thousands already clinging to every surface? The eye cannot hope to take it all in, in a single glance or even several. Jimmy’s paintings contain entire worlds.

Jimmy says the Partition paintings came to him in dreams, their accuracy unnerving to people who had actually lived through the times. His nightmares deprived him of sleep and lingered in his waking hours and he felt compelled to put them to canvas.

Read the entire article in the Sunday Times, Sri Lanka, here.

Jimmy Engineer, The Last Burning Train of 1947. Oil on canvas, 2009.
Jimmy Engineer, The Last Burning Train of 1947. Oil on canvas, 2009.

Gandhi Institute presents Women of the Silk Road

Women of the Silk Road [3 Films from Pakistan, Turkey and Iran] showing on May 7, 14, and 21 at the Gandhi Institute, 929 South Plymouth Avenue, Rochester.

On May 7 at 7pm: Silent Waters – a film about a woman caught between 2 revolutionary moments: Pakistan after Partition, and later at the beginning of a fundamentalist transformation under Zia al Haq. Following the film, independent filmmaker, Mara Ahmed, will answer questions and speak about Pakistan, the Partition and her latest film.

Silent Waters is a film by Sabiha Sumar. “Partition Stories” producer Surbhi Dewan is also one of the producers for Sabiha’s next film. Hope to see you there.

Women of the Silk Road
Women of the Silk Road

Javed Qureshi passes away

my uncle javed qureshi passed away yesterday in lahore. he was a lovely human being, adored by his family and the community at large. i interviewed him for “partition stories.” he will never see the film but we were able to preserve some precious moments with him. he was always so generous. may he rest in peace. his obituary in dawn news:

LAHORE: Poet, music connoisseur, patron of singers and former Punjab chief secretary Javed Qureshi died here on Sunday.

Mr Qureshi belonged to the 1962 pro-commoners batch of bureaucrats and served as secretary in different departments. He became famous for going out of the way to serve people as Sahiwal deputy commissioner and the first commissioner of Faisalabad.

He had a genuine feel for music and affection for singers and musicians whom he would continue to promote and help even after his retirement.

Mr Qureshi’s poetry was sung by many a star singer. His ghazal “Aashianay Ki Baat Kartay Ho,” was sung by Farida Khanum and Noor Jehan while Mehdi Hasan sang another famous ghazal by him “Shumar Lamhoan Ka Sadiyoon Main Ker Raha Hoon Main.” He worked with the All Pakistan Music Conference for years for the promotion of classical music.

His funeral prayers will be offered on Tuesday (April 29), at 9am at his residence 193-A1 Township, Lahore.