some pictures from imagine palestine: an evening of poetry readings and music to raise funds for gaza at the @swedgemission in #rochesterny. a space full of beautiful people who shared visions of freedom for palestine, and stunning palestinian poetry in conversation with live music. a full house where we were able to raise thousands for the gaza municipality.
the struggle to decolonize is something special. it creates love and solidarity between complete strangers. it builds community <3
this will be a series of events to support and celebrate gaza and palestine. stay tuned!
organized by @unabridged.roc, mara ahmed and matthew mcdonald
good morning rochester! i am back and so looking forward to imagine palestine, an evening of poetry readings and music to raise funds for gaza, today at 7pm at the south wedge mission in rochester, ny. 12 artists and activists, 4 musicians, 7 poems by palestinian poets, multiple visions of palestinian futures, the reading of a beloved classic by a resistance writer, and a unique juxtaposition of silence for gaza by mahmoud darwish and musical reflections. all of it to come together in one space and provide mutual aid to the gaza municipality which is doing essential work at this moment. the event is free but pls come ready to donate and intervene in systems of oppression. see u at 7pm this evening!
Friends, as you know settler colonial violence has reached shocking levels in Gaza, with non-stop bombings and massacres for the past 10 months.
Gaza’s infrastructure has been systematically destroyed which means that along with starvation (on account of the food and water blockade), deadly epidemics are also setting in. The poliovirus has been found in sewage water now flowing freely in Gaza.
The Gaza Municipality provides water, sanitation and sewage management, waste collection, the removal of debris and reopening of key thoroughfares to facilitate movement, and aid to personnel doing heroic emergency work. They have started a fundraiser and are trying to raise a million dollars. They still have a long way to go. Let’s support them.
At this gathering, we hope to imagine Palestine beyond the ongoing horrors. Fanon said: “The settler’s work is to make dreams of liberty impossible for the native.” Let’s challenge such temporal control and envision Palestinian futures free of Zionist settler domination.
We will read poetry by Palestinian poets and writers, some of them iconic, others still relatively young. We will listen to music that will frame beautiful words of hope and resistance, and inspire us to visualize freedom for Palestine.
This is a free event where we will invite everyone to donate directly to the Gaza Municipality. Let’s articulate a just future in the face of imperial death cults – it’s a radical act!
Organized by Unabridged Literary Arts, Matthew McDonald and myself/ Warp & Weft Archive. Join us!
almost 10 years ago! my essay in post magazine, a wonderful publication that doesn’t exist anymore sadly. they gave me free rein to write whatever i wanted and had me photographed in my studio.
last post about kolaj fest new orleans: wanted to say something about my presentation and the screening of ‘return to sender: women of color in colonial postcards & the politics of representation.’
i started with a 20 min talk in which i expanded on some of the themes that are discussed in the film: the male gaze, the colonial lens, orientalism and the work of edward said, epistemicide and the work of ramon grosfoguel, photography as a tool of colonial surveys and expansion, white feminism, and of course palestine. i wasn’t sure of the reaction as my work digs deep into uncomfortable histories and racist systems, but i couldn’t have hoped for a better response. that many of the people in the audience were artists and scholars helped spark a vibrant discussion, but what meant most to me was what i heard from women, many of them women of color. there were a lot of tears and emotion, hugs and sharing. this is what art is for me: a way to interface and create community. thank u once again to the kolaj institute and all the wonderful people who attended
Here is a recap of a project I’ve been working on since December last year.
The Warp & Weft audio archive came together in 2020 as a way to connect people from across the world during a global pandemic that caused untold loss and grief.
It is an ongoing project that allows diverse people (separated by arbitrary political borders) to share their stories and feel a sense of collective power.
In December 2023 we launched the next phase of this project. In the midst of the gruesome genocide in Gaza, people from around the world are welcome to join us in reading, holding up, and sharing the voices and stories of Palestinian writers and poets.
This is an open archive, so contact us if you would like to contribute a reading and pls follow us on Instagram: @WarpAndWeftArchive
Rajesh Barnabas wrote a piece about this project for Boomtown Press back in January:
‘Sometimes it seems trivial to be reciting poetry at a time of genocide. It can feel like a stunning privilege. But it’s also an act of resistance that goes hand in hand with protests and activist actions. As the Palestinian poet George Abraham has said: “Poetry can’t stop a bullet. Poetry won’t free a prisoner. And that’s why we need to do the political organizing work as well. But if we can’t imagine a free liberated world in language, how can we build one?”’
my day today, june 13th, as a series of non-linear moments: lunch at blue oak BBQ with artists phil and debi, a sketch of yours truly by the wonderful @stitchpixie who drew me as i spoke, the screening of ‘return to sender’ + my talk which introduced some of its themes + a brilliant and moving community discussion at the new orleans museum of art, the spectacular madera during a symposium on saving the planet, collage on screen at istanbul cafe, and hanging out with artists julie, diane and robin afterwards. wanted to listen to some jazz but decided to retire for the night. maybe tomorrow.
my day today: decided to walk to alma cafe (contemporary honduran cuisine) for brunch and walked about 30 minutes in hot nola weather (thank god i didn’t pass out). ordered some baleada sencilla – eggs, refried beans, cream, queso fresco, and avocado served on a homemade flour tortilla. the tortilla was splendid but too much parmesan on top – too salty for me. a slight detour to get a slice of blueberry and marzipan tart at petite clouet cafe. a short trip to lucullus antiques – nothing interesting and too pricey. in the afternoon a meet and greet for all the collage folx at artisan cafe and bar. i met some lovely artists from nyc, chicago, maine, new hampshire, portland, nebraska, etc. finally, a kolaj fest panel discussion at the new orleans museum of art. more about that in next post.
a beautiful evening spent with the brilliant madera who cooked me a lovely meal and welcomed me into her stunning home. madera’s work and passion revolve around recycling, conserving water and energy, transforming trash into beauty, crafting as a tribute to our grandmothers, and living lightly and kindly on this planet. i learn so much from her. what an amazing human!
I will be screening ‘Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation’ and giving a talk at the New Orleans Museum of Art on Thursday, June 13th, 3:15-4:15 pm, as part of Kolaj Fest organized by the Kolaj Institute. New Orleans friends, pls join the discussion and come and say hello.
My IG account was hacked and deleted on April 9th this year. A kind of erasure. I will be recreating history off and on by digging into posts archived elsewhere by friends and collaborators. Here is one from @phototrouveemagazine
Spotlight on issue 12 featured artist Mara Ahmed @mara__ahmed. “My art practice focuses on crossing borders and dismantling political and cultural boundaries. I work in multiple disciplines and narrative formats to tell marginalized stories and build community. The personal and political are intertwined in my practice. For example, the experimental short film, Le Mot Juste (2021), which was selected for an exhibition by Chicago’s South Asia Institute, is a fusion of autobiography, film, and dance. It spotlights three languages: Urdu, French, and English. In the analog and digital collage series, This Heirloom (2012-2014) which has been widely exhibited in New York and California, I recreated my own history by using old black and white photographs sourced from my family archive. In conjunction with my NYSCA-funded film, Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation (2023), I created three collages that subvert the colonial male gaze in found postcards from the British Raj (early 1900s). My aim was to rewrite history by relocating South Asian women from derelict studios, where they had been subjected to Orientalist fantasies, and reconnecting them to their roots. I placed the women in their native cities, adorned with architectural details and built with Indian textiles.”
it was a full house! thank u rajesh, casey, muna, urvashi, hernease, and sumayia. thank u beautiful friends and community. to more enlightening art and conversations, but also more courage and action. we can learn so much from students risking everything to change this racist violent world.
Cathy Salibian: ‘To me, that is the evocative edge of “Return to Sender.” Yes, it’s gratifying to see a current generation of South Asian women take back their images and stories. It’s even more illuminating—and unsettling—when I take or view a photograph, to ask myself: What is going on here? Who is the viewer, who is the viewed? What assumptions and power dynamics are encoded in this artifact? What is my role in all of this? This is how Ahmed invites participation in the living edge of history.’
Brilliant film review in the Beacon. Pls join us for a Rochester premiere and community discussion on May 4, 12pm, at the Cinema.
Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation is coming to Rochester, New York, on May 4th at 12pm.
The screening will be followed by a panelist discussion. Seating is limited. You can buy your tickets below.
PROGRAM DETAILS: Come join us for the Rochester premiere of Mara Ahmed’s Return to Sender, an afternoon of film & community discussion at ROC Cinema!
Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation is a short, experimental film directed and produced by Mara Ahmed. This project was funded by a NYSCA grant. It pushes the documentary medium in unexpected ways by opening with three contemporary South Asian American women who recreate British colonial postcards from the early 20th century. Dressed in lavish traditional attire and jewelry and shot exquisitely in a darkened studio, the women emulate the awkward poses of the postcard women, only to subvert the colonial male gaze and acquire autonomy by choosing an action of their own. This symbolic ‘returning’ of the Orientalist gaze is layered with discussions about Eurocentric beauty standards, representations of South Asian women in media and culture, stereotypes, othering, identity and belonging. The film hopes to create community by facilitating conversations about erasure and the politics of representation.
Join us for an afternoon of movie magic at ROC Cinema. You will be transported into a world of early 20th century postcards and all the conversations they provoke. Be part of the discussion with panelists Urvashi Bhattacharya, Hernease Davis and Sumayia Islam, as well as Director Mara Ahmed. Don’t miss out on this exclusive event – mark your calendars now! See you there!
DATE: Saturday, May 4, 12:00 – 2:00 PM
VENUE: ROC Cinema (957 S Clinton Avenue, Rochester, NY 14620) is a luxury theater featuring the latest food trends, drinks, and first class entertainment. You’ll have an electrifying night, while watching a movie.
PANELISTS: Learn more about panelists Hernease Davis, Urvashi Bhattacharya and Sumayia Islam here.
FILM REVIEW: Read Cathy Salibian’s brilliant film review in the Rochester Beacon here.
