an evening of rumi poetry

attended a wonderful event at RIT today. it started with the splendid shahin monshipour giving us some background on mevlana jalaluddin rumi’s early life and his mind-blowing encounter with shams-i tabrizi. she went on to play some “ney” (long reed flute which has existed for 5000 yrs) while she recited rumi’s poetry in farsi, one of the most melodious languages on earth. rumi used the metaphor of the ney to explain how god’s breath can pass through us if we are yielding enough. just like the ney longs to become one with the reed it came from, so do we long to go back to our source, our creator. shahin was followed by babak elahi who spoke about love-sickness and the healing powers of poetry. according to research, PET scans of people who are in love are v similar to people who are obsessive compulsive. he recounted the story of layla and majnun by nizami. majnun literally means possessed by jinns or demons. he became love-sick not only on account of layla’s sensual beauty but also because it was a reflection of her maker. he told the first story in rumi’s masnavi which is about heart sickness and healing thru the death of “nafs” or ego. there was more poetry reading by john roche and amelia fontanel. finally, we watched “fragments of light 6”, a short film by naho taruishi and zahra partovi. shown on a screen that meets at 90 degrees in the center, much like a giant open book, the film consists of light projection that mirrors the visual mood and feel of rumi’s poems. it’s like stepping into a different world, a different rhythm. lovely.

“The Song of the Reed”

1. Listen to the song of the reed,
How it wails with the pain of separation:

2. “Ever since I was taken from my reed bed
My woeful song has caused men and women to weep.

3. I seek out those whose hearts are torn by separation
For only they understand the pain of this longing.

4. Whoever is taken away from his homeland
Yearns for the day he will return.

5. In every gathering, among those who are happy or sad,
I cry with the same lament.

6. Everyone hears according to his own understanding,
None has searched for the secrets within me.

7. My secret is found in my lament‚
But an eye or ear without light cannot know it . . .”

9. The sound of the reed comes from fire, not wind‚
What use is one’s life without this fire?

10. It is the fire of love that brings music to the reed.
It is the ferment of love that gives taste to the wine.

11. The song of the reed soothes the pain of lost love.
Its melody sweeps the veils from the heart.

12. Can there be a poison so bitter or a sugar so sweet
As the song of the reed?

A. To hear the song of the reed
everything you have ever known must be left behind.

Version by Johathan Star. From “Rumi: In the Arms of the
Beloved.” (New York: Jeremy P. Tarcher/Putnam, 1997). [Lines indicated by a capital letter are invented and have no basis in the Persian text.]

Transforming Media

terrific screening of “pakistan one on one” at the indymedia convergence, last night at 9pm. it’s going to be a great weekend – democracy now’s senior producer mike burke is in town. check out the schedule here.

Muslims and Jews in America: Commonalities, Contentions, and Complexities

attended a v disconcerting book discussion last week. the book was Muslims and Jews in America: Commonalities, Contentions, and Complexities but the discussion was broader. the conversation was to be moderated by two interfaith leaders, one muslim, one jewish, but i knew that it would be an uphill battle when the rabbi recommended a book by alan dershowitz in his opening remarks.

he framed the discussion is such a limiting and frankly offensive way that it left v little room for real, meaningful interaction. besides echoing trite stereotypes about muslims (why don’t they condemn terrorism? do they want to integrate or remain isolated?) he threw around the ground zero mosque, fear of shariah law and the hijab and u.s. military classes that justify wiping out mecca and medina, not as manifestations of islamophobia which we must acknowledge and debunk but to ask muslims to explain why people felt that way about them. it’s like asking jews to explain why there’s been so much anti-semitism in the world – why is there such “distrust”. it’s ridiculous. being an interfaith meeting, i thought that we’d start with the assumption that all racism, prejudice, stereotyping and profiling is unacceptable. that’s where i come from anyway.

the other moderator tried to find some common ground by talking about parallels between anti-semitism and islamophobia, but that comparison was cut short. islamophobia is a reaction to the events of 9/11, whereas anti-semitism is baseless the rabbi seemed to imply. also, he said, where both communities stand today in terms of “modernity” is completely different. he went on to comment that this fact was visible in the room. wha? first, i reminded him of something called “orientalism.” the otherness of the muslim is not a post 9/11 phenomenon. and the otherness of the jew is not that antiquated either. remember the protocols of zion? plus bigotry has nothing to do with how “modern” one is or how “integrated.” german jews were pretty well-integrated no?

and let’s not even get into what was said about palestine. oy vey!

Muslims and Jews in America: Commonalities, Contentions, and Complexities
Muslims and Jews in America: Commonalities, Contentions, and Complexities

lilac festival 2012

for mother’s day today: after a sumptuous nicaraguan breakfast prepared by my better half (including eggs, rice and beans, fried plantains and fried halloumi) we went to highland park to enjoy the lilac festival.

lilac festival 2012
lilac festival 2012
lilac festival 2012
lilac festival 2012
mara ahmed
mara ahmed
lilac festival 2012
lilac festival 2012

documentary panel at st john fisher’s college

on march 29, 2012, had a wonderful discussion with co-panelist and filmmaker linda moroney and film critic jack garner. tom proetti was the moderator and organizer of this terrific conversation about filmmaking at st john fisher’s college. such fun to talk about documentaries. tom asked us to come up with our ten favorite docs. here’s my list:

Forever

Pina

The agronomist

Awaiting for men

Youssou Ndour: I bring what I love

Wasteland

Capturing the Friedmans

No end in sight

We still live here

Jesus Camp

“war horse” in ny

watched “war horse” at the lincoln center theater last saturday. it explores the profound bond between man and animal. the first world war forms the backdrop to the story and the message is definitely anti-war. not only are all men fighting on all sides humanized but the utter futility, waste and destruction of war is highlighted throughout the show. i was shocked to learn that 8 million horses were killed in world war I – compare that to 10 million soldiers. it’s almost a 1:1 ratio. the play talks about how barbed wire, machine guns and eventually the tank made the horse obsolete and changed the rules of war. who could have imagined video game style drones back in 1918… it took the handspring puppet company years to design the horses seen in the show. they move their ears and tails and breathe and rear and trot with almost as much beauty and elegance as real horses. animated sketches are projected onto a chunk of wall hanging in the background to provide much needed context to the action on stage. stunning.

war horse

YWCA’s Stand Against Racism

participated in a board meeting to make the ywca’s “stand against racism” penetrate deeper into the community. we want to move beyond awareness into more meaningful encounters, longer term cross-racial/ethnic relationships and permanent attitude shifts. any suggestions r welcome. more here.