‘life and times of michael k’ in brooklyn

thank u for all the lovely birthday wishes, friends, and thank u for the powerful prayers for palestinian liberation. my one birthday wish this year.

i spent some time with my daughter in nyc yesterday and saw a play based on a book by j. m. coetzee, ‘life and times of michael k,’ in brooklyn. his work is grim and heartbreaking but also full of humanity. my eyes welled up many times over the course of the play because it depicts the horrors of war — something we are witnessing daily on our phones and sceeens.

this afternoon i met my son in midtown before taking the LIRR back home to long island. didn’t do anything else today to respect the global strike for gaza. may the mayhem end. may people have a chance to mourn what they have lost and begin to rebuild their lives. ameen.

my birthday tomorrow

dear friends, it’s my birthday tomorrow. there is no reason to celebrate in the midst of a genocide, but if u think of me tomorrow could i urge u to make a donation to MECA (some food trucks are still entering gaza) and to palestine legal.

we are fighting two battles simultaneously: 1) the battle for an immediate permanent ceasefire and critical humanitarian support for people in gaza, and 2) the protection of speech on justice in palestine and legal help for those who are the most vulnerable in our society (palestinians, arabs, muslims, people of color, immigrants, refugees, students, those facing job insecurity and economic precarity, etc).

this is the time to come together and take action. solidarity is safety.

Artwork for fundraiser

I created this piece for Global Feminists for Palestine’s first solidarity event on Dec 1st at @aaww_nyc in which they read poetry and sold artwork with all the money going to Palestine Legal, a crucial organization doing crucial work at this brutal, agonizing time.

@globalfeministsforpalestine will be doing more such events. Pls connect with them and support Palestine Legal.

My artwork’s title is Palestine Sunbird 1. It is a digital collage constructed with South Asian textiles as an expression of solidarity and a recognition of parallel colonial histories.

#ceasefirenow

Support Broadwood Central School

I have known Ali Sajjad since he was a student in college and am proud of the crucial work he is doing for children’s education. This is the kind of investment in young people that we should all support. Pls consider making a tax deductible donation.

In Faisalabad, the historical city of Lyallpur, a team of socially conscious educators run a school that provides the kind of education we often dream of: meeting local and global needs while being holistic, building critical thinking, teaching science, mathematics, languages and technology, including music and the performing arts in the curriculum, and encouraging extracurricular activities (from sports to debates). It’s a school that focuses on inclusivity, social justice, and democracy as core values both in its student body and its staff.

Broadwood Central School is a testament to what Pakistan’s future can be. On account of its egalitarian/inclusive mission and the scholarships it provides to a large number of students, the school needs support to continue its work in the Faisalabad community. Please invest in the school and its students by making a tax deductible donation here.

More info at www.broadwoodcentral.edu.pk

Interview on Long Island’s NPR radio station

Spoke with Gianna Volpe this morning about decolonizing knowledge and media representations of those who are stereotyped and marginalized – POCs, people from the Global South, women, and other oppressed communities.

This was for her show Friday Morning Tea on Long Island’s NPR radio station WLIW. Hope to share a recording soon. Pls listen here.

Our conversation was about the screening and discussion coming up at Southampton Arts Center of ‘Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation.’

After the film, I will be honored to be in conversation with Jeremy Dennis (Fine art photographer, Lead Artist & President of Ma’s House & BIPOC Art Studio), Minerva Perez (Executive Director of Organizacion Latino-Americana of Eastern Long Island), and Brenda Simmons (Executive Director and Founder of Southampton African American Museum).

This is a free event! Pls register SouthamptonArtsCenter.org

Hope to see you soon!

Panelists for Southampton Screening

What the horrors of the world reiterate over and over again is that solidarity is safety, unity is strength, and that we the people can demonstrate more courage and compassion than those who rule over us.

Proud to collaborate with Jeremy Dennis (indigenous artist and photographer and Lead Artist & President of Ma’s House & BIPOC Art Studio), Minerva Perez (Executive Director of Organizacion Latino-Americana of Eastern Long Island), and Brenda Simmons (Executive Director and Founder of Southampton African American Museum).

We will be discussing the power of representation and the mechanics of othering, among many other things. Pls join us for a screening and discussion.

‘Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation’ is coming to Southampton Arts Center on Sun Nov 19 at 2pm. This event is free but pls register at SouthamptonArtsCenter.org

Return to Sender at Southampton Arts Center

Please join us for a screening of my new film, Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation:

Southampton Arts Center (25 Jobs Lane, Southampton, NY 11968)

Sunday November 19th, 2:00-4:00 pm.

The film delves into colonial representations of people of color (especially women) and discusses Eurocentric beauty standards and imperial narratives, stereotypes and the process of othering, and the complexities of identity and belonging.

The screening will be followed by a community discussion led by Jeremy Dennis (Fine art photographer, Lead Artist & President of Ma’s House & BIPOC Art Studio), Minerva Perez (Executive Director of Organizacion Latino-Americana of Eastern Long Island), and Brenda Simmons (Executive Director and Founder of Southampton African American Museum).

This event is free and open to the public, but registration is needed. Please register at SouthamptonArtsCenter.org.

Let’s decolonize now. Hope to see you then!

meeting of creatives in nyc

last night i attended a meeting in nyc with an auditorium full of artists and culture workers in order to figure out how to use our art/voices to resist, decry, and end the genocide of our palestinian family. the fight will be long as we want nothing less than complete, unequivocal palestinian liberation. there are ways of staying in the fight.

FREE PALESTINE. STOP THE GENOCIDE

Repost from an.duplan:

for obvious reasons, it’s hard to sustain attention on something so traumatizing as genocide––not to mention the unsurprising (but still devastating) indifference of the US government to people and governments all around the world calling for ceasefire. (i don’t think in my lifetime i have witnessed such global coordination as i am seeing now.) here’s hoping that we––those who have the profound privilege of witnessing this atrocity from the outside––can stay plugged in. we clearly have influence, though not control, over what happens next. please keep going

To maintain our standard of living

In Scorsese’s film ‘Killers of the Flower Moon,’ a strong connection is made between the terror and murder faced by indigenous Osage people (with access to oil money since the early 1900s) and the Tulsa race massacre in 1921 which annihilated Black Wall Street and its wealth.

I want to take these connections further and compare Tulsa to Gaza. Images of the violence enacted on both cities speak for themselves (the first three are from the Tulsa massacre and the last three from the ongoing genocide in Gaza).

There is immense, unbearable loss of life in Gaza right now (more than 5,000 dead, half of them children). There is also an imperial destruction of all fundamental aspects of human life – social, political and cultural structures, housing, commerce, employment, transportation, familial and community networks, etc. This razing of the infrastructure of life, as we understand it, also happened in Tulsa, Oklahoma, and in countless Native villages all across America.

The destruction of human (and non-human) habitats and ecology seems central to capitalism. Large swathes of humanity must be forcefully locked in ghettos of precarity and poverty in order for a small percentage of white elite (and their stooges) to enjoy unseemly wealth and privilege.

Black poet and activist Pat Parker understood this. In ‘Revolution – It’s Not Neat or Pretty or Quick,’ she wrote:

“The rest of the world is being exploited in order to maintain our standard of living. We who are five percent of the world’s population use 40 percent of the world’s oil. As anti-imperialists we must be prepared to destroy all imperialist governments; and we must realize that by doing this we will drastically alter the standard of living that we now enjoy.

…The equation is being laid out in front of us. Good American equals Support Imperialism and war. To this, I must declare—I am not a good American. I do not wish to have the world colonized, bombarded and plundered in order to eat steak.”

When we stand in solidarity with Palestine and other peoples and places being crushed by imperial greed and its technologies of extermination and containment, this is something we must consider.

Thank you Clarissa Brooks for reminding me of these powerful lines during a discussion on ‘Black Feminist Writers and Palestine’ organized by Black Women Radicals.

Statement by Birzeit University

We consider it our duty not to expose the bloody barbarism of Zionism; their actions as a fascist state and a ruthless army are more than sufficient to undertake this task. It is our duty to record this moment not as its victims but as the people who will remember, record, survive, and resist it.

Our history will tell the story of these acts not only as a record of colonial brutality but also as a record of our boldfaced determination to live and resist it. We remain attached to our land and to our humanity as Palestinian Arabs – no need to prove our humanity to those who have lost theirs.

…We in occupied Palestine — and all Palestinians — have no illusions in the poetic dreams of the triumph of the pen over the sword because the sword has cut too deeply into our flesh at the hands of an enemy who has been granted by the hypocritical international community and the destiny of imperial history to claim a monopoly on both the sword (that which acts to kill) and the pen (that which narrates the acts of killing). As intellectuals and academics working in occupied Palestine, we have to use our words, however futile they may feel in such critical times. We also have faith in the bold souls of our people, our resistance and the triumph of freedom, and in our inalienable rights. We recognize and proclaim that at this critical and urgent historical juncture, we shall overcome – justice shall overcome. We are not your passive victims; we have been murdered, maimed, and displaced by a settler state driven by an ideology of insane hatred and bloody violence, but we will not be silenced. Our resistance shows us the path forward, and we remain steadfast, and we shall triumph.

clark art institute

it’s rainy today so we spent the day at the clark art institute. first up their exhibition on human ecology and the work of carolina caycedo: “ancestral knowledge and environmentalism are at the core of caycedo’s work, which pays homage to community leaders and native elders, often female, who care for the natural world. she also depicts medicinal traditions of the mohican people native to the land the clark now occupies.”

then a visit to the clark’s permanent collection. was quite taken by the work of frederic remington and winslow homer.

my review: killers of the flower moon

last night we watched ‘killers of the flower moon’ by martin scorsese at images cinema, a wonderful independent film theater in williamstown, massachusetts. it’s an important film about a piece of history that has been deliberately erased. it shows how european settler colonialism comes sheathed in duplicity and death and how indigenous peoples are constantly harmed and betrayed by the very systems they are asked to accept and integrate into. i couldn’t help but think of palestine and the genocidal bombing and starvation of its native population. the violence, pathological lies, greed and treachery we see in the film become an apt metaphor for colonialism itself. a powerful film, a nasty bit of american history. lily gladstone, who plays an osage woman in the film, is stunning.

Read ‘Minor Detail’

Longlisted for the 2021 International Booker Prize and shortlisted for the 2020 National Book Award for Translated Literature, Adania Shibli’s Minor Detail is an absolute masterpiece.

Palestine-born novelist and essayist Adania Shibli was due to be awarded the 2023 LiBeraturpreis, an annual prize given to female writers from Africa, Asia, Latin America or the Arab world on Oct 20th.

However, on Oct 13th, the LitProm association (which is sponsored partly by the German government and the Frankfurt Book Fair) that hands out the prize announced it would postpone the award ceremony “due to the war started by Hamas, under which millions of people in Israel and Palestine are suffering”.

Prominent authors and publishers from around the world have accused the Frankfurt Book Fair of “shutting down” Palestinian voices.

I met Adania in Lahore earlier this year, at the Lahore Literature Festival. She is as brilliant and uncompromising as one would expect. Minor Detail is a slim book (about 100 pages) but it “slices through one’s heart” and is unlike any book I’ve read.

Resist censorship and read the book. More about Minor Detail below:

“A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience of dispossession, life under occupation, and the persistent difficulty of piecing together a narrative in the face of ongoing erasure and disempowerment.”

colonialism never left us

more than 500 people have been killed in the bombing of a hospital in gaza, where thousands were taking shelter or being treated. this is a nauseating war crime. people describe apocalyptic scenes: headless bodies, charred remains, human fragments everywhere. in a hospital full of children, women, men. old and young. sick people, the wounded, doctors and hospital staff. their collective murder is incomprehensible. heinous.

so is israel’s arrogance. the hubris of committing genocide in full view of the world, with the powerful justifying and aiding their bloodlust.

then there is the vertiginous inversion of reality. the frightful corruption of language. the orwellian dictums that we are hearing are surreal: ethnic cleansing is self defense, genocide is some kind of justice, the killers are victims whose feelings take precedence.

after whining about free speech and ‘je suis charlie’ for a lifetime, france has banned pro-palestinian protests. so has germany. the UK says palestinian flags & slogans are illegal, msnbc has suspended all three of its muslim anchors, and US immigration is harassing palestinians in the diaspora.

in rochester, the palestinian film festival, which had been going on for more than a decade, has been postponed due to pressure from the jewish federation and security concerns.

it’s morally repugnant, violent, unreal.

we can only understand what’s happening around us if we look at it thru the lens of racism and colonialism.

think india’s independence war in 1857 and how spectacular the punishment. a common punishment was to tie so-called mutineers to the mouth of a cannon and then fire the cannon.

think the mau mau rebellion (1952-1960) in kenya and its aftermath. the british colonizers used concentration camps, unspeakable torture, and rape as punishment.

think the algerian war of independence (1954-1962) which lasted 8 years, and in which the french butchered 1.5 million algerians, because how dare they.

closer to home, think of all the indian wars (as they were called) and how indigenous people were subjected to campaigns of terror while their land was being stolen.

as the hampton institute said:

oppressed people who fight back against their sadistic oppressors are ALWAYS demonized, dehumanized & labeled “terrorists/animals” by the oppressor nation. nat turner, mandela, assata shakur & the black liberation army, george jackson & the black guerilla family… the list is endless.

good old colonialism never left us. it’s always been in our face.

enough is enough.

viva palestina

hundreds, possibly thousands, at the long island rally for palestine in mineola today, organized by the muslim community of nassau county. as one of the imams said, the US, with its own problems of settler colonialism and systemic racism, should recuse itself from any form of arbitration/ participation and withdraw all its arms, military personnel, and money. end the bombing. end genocide now.

viva palestina!