weekend in soho with my sister and daughter. doesn’t get any better than that <3

Friends, I am thrilled to share that in addition to The Muslims I Know, you can also watch my second film online. Pakistan One on One (2011) was shot in Lahore. It’s a fascinating series of conversations with a wide range of Pakistanis (including students, shopkeepers, real estate agents, tailors, teachers, and the incredibly gracious Navid Shahzad). We talk about the War on Terror, the Taliban (a hot topic once again as we move closer to the US exit from Afghanistan), and what Pakistanis think of US foreign policy and Americans. Most interviews are shot outdoors, on location, and they shine with the freshness and vitality of Hassan Zaman’s funky music and Liz Phillips’s quirky visuals and transitions. It’s a film I’m very fond of. Pls watch and support activist filmmaking here.

always hated the term ‘islamophobia’ although i’ve used it in presentations (in order to then unpack it). i speak about anti-muslim racism but it’s frankly exhausting. many times it feels like one is repeatedly hitting one’s head against a wall. here are some amazing resources to learn and teach more.
‘This syllabus reframes “Islamophobia” as “anti-Muslim racism” to more accurately reflect the intersection of race and religion as a reality of structural inequality and violence rooted in the longer history of US (and European) empire building. Conceptually, a focus on anti-Muslim racism is connected to an analysis of history and forms of dominance – from white supremacy, slavery and settler colonialism, to multiculturalism and the security logics of war and imperialism – that produce various forms of racial exclusion as well as incorporation into racist structures. Our primary focus is on the manifestation and impact of anti-Muslim racism in the United States. At the same time, this syllabus insists on thinking about anti-Muslim racism as a global project that overlaps and intersects with the exclusion of other marginalized groups (e.g. Black, queer, Latinx, immigrant, indigenous, etc). It also connects the histories of various racial logics that reinforce one another, including anti-Muslim racism, anti-Black racism, anti-Latinx racism, anti-Arab racism, and anti-South Asian racism.’ more here.
rochester has lost David Dornford, an anti-war activist who showed up at every community discussion, rally and protest. i remember how he would always sit in the back and catch up personally at the end. he was soft-spoken, a gentle presence, yet consistently there to validate and uplift social justice work. in a world where we are taught to compete against one another to merely survive, where steve jobs and jeff bezos represent ultimate success, where selling products and selling ourselves have become a way of life, and preemptive aggression is thought to be the only way to be ‘safe,’ david exemplified an alternative ethos. kindliness, composure, sagacity and humility. however ruthless the systems we live under, the qualities david embodied will outlast all the machismo and sales spiels. they will continue to shine. rest in power dear david. thank u Anna-Kristina Pfeifer for capturing him so beautifully.
David from Visions and Voices on Vimeo.
The sudden loss of one’s 31-year old beautiful, vibrant, activist daughter is pain that’s hard to even imagine. And then not be able to see her, hold her one last time, bid her farewell. To be imprisoned by the settler colony, once again, and be at the mercy of its occupying military. Cruelty, inhumanity, violence. Words are not enough.
Najwan Berekdar: At this horrendous moment of the tragic loss of her daughter, Khalida Jarrar, Palestinian revolutionary, parliamentarian & organizer, remains imprisoned in Israeli jails denied the last chance to kiss her daughter goodbye & the comfort of her loved ones. #FreeKhalidaJarrar
my mother’s sister, my khala rehana sarfraz malik, passed away yesterday. my mom and her four sisters were all beautiful women everyone said, each in their own way, but i always thought khala bibi was particularly charming. elegant, meticulously coiffed and dressed, with a captivating voice that reminded me so much of my own mother. many years ago, when my son was still a toddler, khala bibi spent two weeks with us in west hartford, connecticut, and we had a lovely time together. we went shopping, ate out, and talked all day. she made delicious haleem and got us mango and kulfa ice cream from the local desi store. i took her to mark twain’s house and once, when i was busy with a job interview, aitezaz took her and two of my friends from IBA who were also visiting us to gillette castle state park for a barbecue. what i remember most fondly are the late night chats we would have after everyone went to sleep. i asked her about her life, about being a young woman who lived on her own for a while (back when it wasn’t the norm), about marrying my khaloo, an older man and a widower – the love of her life. she had three step-children when she got married and then two sons of her own. she flourished. my uncle worked for the united nations and was posted to turkey for many years (in ankara, i believe) and khala bibi grew to love that life. she learned turkish and would speak to local officials in their own language. she became an outstanding hostess and a true partner in her husband’s consular work. it was a charmed life, but it didn’t last long. my uncle died unexpectedly in his sleep at a relatively young age, and my khala lived the rest of her life on her own. she was amply provided for and safe, she had her kids and later her grandkids, but she missed her gregarious, big-hearted husband and the lively, cosmopolitan life they had lived together. she was a devoted wife, mother and grandma, a strong woman who had to be stronger on account of what life threw at her, an engaging presence who could pull people into her orbit with ease. may she rest in peace, as she’s finally reunited with her beloved husband. inna lillahi wa inna ilayhi raji’un.
[khala bibi with some of her siblings. she is the young woman standing on the left]

Karen Faris’s beautiful art object ‘The Warp & Weft Of It All,’ which she created as a response to the Warp & Weft audio archive, is now on view at RIT’s Bevier Gallery. It is truly a gorgeous piece that you can see in person. Congrats dear Karen!
“RIT’s Bevier Gallery is hosting an exhibition celebrating Arena Art Group’s 70th anniversary.
Arena Art Group is a local art collective that fosters interest in exploratory art forms through the exhibition of work and maintaining an active, viable and professional arts presence in the Rochester community.
The show, which features RIT alumni and former faculty among other artists, is on view July 7-Aug. 7. An opening reception is scheduled for 6-8 p.m. Friday, July 9.
Bevier Gallery, located on the second floor of Booth Hall on the RIT campus, is open 9 a.m.-5 p.m. Monday through Friday, and noon-4 p.m. on Saturday.”

dilip kumar, one of india’s greatest actors, an icon, a legend, loved by many generations of south asian women, passed away at 98. his real name was muhammed yusuf khan, born to a muslim family in peshawar in 1922, before the city became part of pakistan. my mother loved him. there was no one else like him. no one. although i was born too late to fall under dilip’s spell (i preferred sanjeev kumar, and later naseeruddin shah and farooq sheikh) i understood his appeal: the sensitivity with which he approached his craft, less machismo, more intelligence, and that mellifluous voice. he spoke like no other actor. his own cadence, his soft-spoken, almost musical way of delivering dialogue. my mother’s wildest dreams came true when dilip visited quetta at a time when my dad was posted there. my mom got to meet her idol. she couldn’t muster the courage to have a deep conversation with him but she got to shake his hand and tell him what he meant to her. perhaps i should finally watch mughal-e-azam, with dilip kumar and madhubala, a masterpiece i’ve been told many times. something to do with my mom – to think about the good old days and remember dilip fondly. inna lillahi wa inna ilayhi raji’un.
Friends, since people don’t buy DVDs as much anymore, The Muslims I Know (2008) is now available to watch online. Give it a try and let me know what you think of the film. There’s also bonus footage you can watch from interviews I conducted back then with Thomas Gibson and Ruhi Maker, Gwendolyn Zoharah Simmons, and Edward Kannyo.