The Attacks On Reps. Ilhan Omar and Rashida Tlaib Don’t Surprise Young Muslim People

For Kifah Shah, who splits her time between Los Angeles and New York, many of the reactions towards the two women remind her of growing up as a Muslim girl in a majority non-Muslim community. It’s also emblematic of a larger scope of intolerance and ignorance towards Islam as a whole: “With mostly white people, [life] after 9/11 were a mixed bag of curiosity and coded (sometimes blatant) racism: from being asked whether or not I’ll have an arranged marriage to being told my uncle was [Osama Bin Laden] to having teachers dehumanize Muslim lives by saying an entire city in Iraq wasn’t worth the life of one U.S. soldier,” she remembers, adding that seeing trolls target both Omar and Tlaib by questioning their patriotism doesn’t surprise her.

“The right has asserted pernicious ideas about whether or not Muslims in the U.S. subscribe to the idea of ‘America,’ because if they don’t, or if they question any aspect of it, then they must subscribe to some other ‘state,’” Shah notes. “This conspiratorial, baseless, and harmful lens has for a long while attempted to push Muslims into dichotomies of good versus bad.”

[…] Yusuf agrees. “The typical profile of a congressperson has been an older, cisgender, heterosexual, white man with money for as long as our country has been around,” she begins. “For [two] Muslim women — one Palestinian and the other a Somali refugee — to enter a space that this country has excluded women, people of color, queer people, immigrants and anyone else from is extremely significant.” It is no surprise that the system is not set up for them to succeed in that space, she adds. “There can be no question why their identities are at the forefront of every discussion about their actions and words.” More here.

Race, Racism, and Relationship: Microaggressions and the Beloved Community

I will be co-teaching a workshop on ‘Race, Racism, and Relationship: Microaggressions and the Beloved Community’ tomorrow at 6pm at First Unitarian Church of Rochester. Will share some clips from The Injured Body: A Film about Racism in America, talk about Claudia Rankine’s work, discuss the inclusion of dance in the film, and the connection b/w oppression and breathing, and much more. Hope you can make it!

US Sanctions Have Devastated Venezuela & Killed Over 40,000 Since 2017

Economist Jeffrey Sachs: The U.S. government has been trying to strangle the Venezuelan economy.

It started with sanctions in 2017 that prevented the country from accessing international capital markets and the oil company from restructuring its loans. That put Venezuela into a hyperinflation. That was the utter collapse.

Oil earnings plummeted. The earnings that are used to buy food and medicine collapsed. That’s when the social, humanitarian crisis went spiraling out of control. And then, in this year, with this idea – very naive, very stupid, in my view – that there would be this self-proclaimed president, which was all choreographed with the United States, very closely, another round of even tighter sanctions, essentially confiscating the earnings and the assets of the Venezuelan government, took place.

Now Venezuela is in complete, utter catastrophe, a lot of it brought on by the United States deliberately, creating massive suffering. We know there’s hunger. We know there’s a incredible shortage of medical supplies. We can only imagine, because we won’t know really until the dust settles and careful studies are done, how much excess mortality there is, but, surely, in a context like this, this is a catastrophe largely created by the US, because this is an all-or-nothing strategy. What the US, what Trump, just doesn’t understand is the idea of negotiations.

This is an attempt at an overthrow. It’s very crude. It’s not working. And it’s very cruel, because it’s punishing 30 million people. More here.

this heirloom at city hall

#installing#work from my #art series ‘this #heirloom’ at #cityhall‘s #linkgallery today
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this #exhibition ‘embracing our #heritage’ celebrates APAA’s 10th #anniversary and will be on display may 7 to june 17
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along with my work, art by #japanese american artist rie maywar and #korean american artist jina park will also be on display
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opening reception on may 17 from 5:30 to 7:30pm

No Burqa For Me Today

Pakistani artist Hoor Imad Sherpao. No Burqa For Me Today, Gouache and 24 Karat Gold on Wasli.

[Just to clarify, anyone who knows me, knows what I think of Western/white/imperial feminism. This is not a comment on how women should dress – short skirts are hardly indicative of liberation – but rather how women have the choice to wear whatever they want and how they have the freedom to change their minds. What I like about this painting is how tongue in cheek it is. It’s saying, today I want to dress up, I want to go over the top, I want to be fierce. That’s all. Peace ?]