a friend asked me to speak to her class about feminism and islam, something i’ve written about, so i’ve been refreshing my reading of texts by three spectacularly incisive women of color – saba mahmood, houria boutelja and francoise verges. the timing could not be better as the controversy over casting gal gadot, a white israeli actress, in the role of cleopatra continues on social media.
i know this will ruffle feathers, but i’ve been meaning to write this since the new ‘wonder woman’ came out (also played by gal gadot). i grew up in the middle of europe, when wonder woman was on fire (albeit dubbed in french) and i have to say, it never did anything for me. i’ve read ad infinitum how wonder woman changed the lives of western/white women and i’ve always felt completely disconnected from that discourse. wonder woman, as invented by a white man and played by a skinny white woman, did not resonate with me. most of the time, she seemed to be awkwardly balancing herself while twirling, burdened with an impractical costume, and, i felt as a child, more limited in her powers than other super heroes. she did not represent strength to me. the bionic woman (also dubbed in french) seemed more sensible and badass than her.
it’s pretty fitting then that gal gadot, a supporter of IDF and settler colonialism, came to embody white feminism, its artifacts and imagery – something i am indifferent to.
in the same way cleopatra, as delivered by elizabeth taylor, felt sad and campy, so very campy, and failed to project female empowerment. she was obviously conceived and executed by a bunch of men in hollywood. now that we’ve come a long way, in terms of women’s rights, a group of white women want their chance to co-opt the story of an egyptian queen. i’m sure that their counterparts will be inspired, but the rest of us — brown, black, women from the east and the global south — will just have to do our own thing:)