US embassy denies troops using diapers

more incredible news from pakistan!

“The US has embezzled us of money owed to the CSF; it has imprisoned innocent Pakistanis in Guantanamo Bay; its citizens have used violence against innocent Pakistanis in the US; it has murdered our innocent tribals in drone attacks; the list goes on. But before we are accused of depriving the US soldier of his basic human rights by the many US assets now come to live in Pakistan, and purely on humanitarian grounds, let us not stand in the way of the US soldier and his diaper!” the press release concluded. More here.

Balochistan: Pakistan’s other war

In the rugged mountains of southwest Pakistan lies the country’s largest province of Balochistan. Far from the bustling cities of Lahore, Karachi and Islamabad, this remote region has been the battleground for a 60-year-long insurgency by the Baloch ethnic minority. The ongoing conflict is often called Pakistan’s dirty war, because of the rising numbers of people who have disappeared or have been killed on both sides. Al Jazeera documentary here.

L’enfant sauvage – 1969

watched françois truffaut’s l’enfant sauvage (the wild child) again last night. what an exquisite film. the black and white cinematography is gorgeous, antonio vivaldi’s sublime music forms the film’s entire musical score, truffaut’s performance as the real-life dr itard is perfectly controlled and 13 year old jean-pierre cargol (who plays the main role) is absolutely stunning. more background on the film here.

Miral

finally saw miral. the film’s content is fine, except perhaps the oslo accords which r presented as a viable solution to the occupation. a map of what was proposed would be useful as it would be a visual recap of the bantustan that was supposed to constitute a palestinian state. my problem with the film is more aesthetic, more technical. the film lacks any emotional depth. it is full of cardboard characters that we should feel something for but with whom we r incapable of forming any empathetic ties. the camerawork is too stylized (in an unsteady way), to the point of being distracting, annoying. however, the film “shows” many imp issues (w/o really delving into them) and that is something. 3.5 out of 5 for me.

Patti Smith is practical, mythic in ‘Woolgathering’

Here, we see the circularity, not only of the pieces but also of Smith as an artist — the sense of purpose, of ambition even, mixed with her sense of the holiness of the task. “[T]here are precious words to grind,” she notes, as if literature were a physical practice, and throughout these pages, we get the impression of this work as, somehow, made by hand. “Relaxed, beneath the sky, contemplating this and that,” she writes in “Cowboy Truths,” dedicated to onetime boyfriend Sam Shepard. “The nature of labor. The nature of idleness and the sky itself with billowing masses so close one might lasso a cloud to pillow one’s head or fill one’s belly. Sopping up the beans and gravy with a chunk of cloud meat and lying back for a little siesta. What a life!” More here.

Fallujah babies: Under a new kind of siege

how about a memorial to this?

“As doctors, we know Mercury, Uranium and Bismuth can contribute to the development of congenital abnormalities, and we think it could be related to the use of prohibited weapons by the Americans during these battles,” Alani said. In July 2010, Busby released a study that showed a 12-fold increase in childhood cancer in Fallujah since the 2004 attacks. The report also showed the sex ratio had declined from normal to 86 boys to 100 girls, together with a spread of diseases indicative of genetic damage similar to but of far greater incidence than Hiroshima. More here.

Guernica – Jillian Steinhauer: In Defense of Jane Hammond’s Fallen

hmm, don’t agree.

After my piece on Jane Hammond’s Fallen ran in the Daily, my editors asked me if I thought that the memorial, or my piece about it, should mention the Iraqi civilians killed in the war. Though I find it nothing short of horrifying that probably more than 114,212 Iraqi civilians have died as a result of the American invasion, my answer to that question is no. When considering a work of art, I believe the critic has a responsibility to accept the piece on its own terms. This means experiencing, judging, and thinking about the process and the product before me—figuring out what works about it, what doesn’t, and why. A good reviewer enters an artwork and crawls around inside it; a bad one stands outside and says, “I would have done it this way.” Unless I see what I consider a glaring omission—and in the case of Fallen, I don’t think there is one—it’s not my place to tell the artist what she should or shouldn’t include. More here.

my letter to the editors:

‘When considering a work of art, I believe the critic has a responsibility to accept the piece on its own terms. This means experiencing, judging, and thinking about the process and the product before me—figuring out what works about it, what doesn’t, and why. A good reviewer enters an artwork and crawls around inside it; a bad one stands outside and says, “I would have done it this way.” Unless I see what I consider an glaring omission—and in the case of Fallen, I don’t think there is one—it’s not my place to tell the artist what she should or shouldn’t include.’

that’s such a cop-out. by those standards, all reviewers of art are bad unless they’re in love with the work they’re reviewing. steinhauer can explain why she doesn’t agree with the inclusion of iraqi casualties (which are more than the number she chooses to quote – always a sticky issue when the dead are “others” and their deaths our fault) but she doesn’t delve into why that is not a glaring omission – except by comparing the artwork to maya lin’s memorial and making the judgment: ‘For some of us, it’s easier to care about dead Iraqis than dead American soldiers. I understand this impulse.’
for v few of us actually. for the vast majority of us, it’s ok to “support our troops” and be “patriotic” rather than talk about the difficult subject of what exactly it is that the troops are doing overseas.

yes, any loss of life is regrettable, a tragedy, but u.s. soldiers get the option of signing up for military combat whereas invaded/occupied people don’t. war in the 21st century is very much about well-equipped, trained armies fighting, harassing and torturing civilians. memorials that don’t tell the whole story help perpetuate national myths forever.

joseph nechvatal said it best: “my deep feeling is that today art must indict, or at the very least, play the role of the jester who unmasks the unspeakable lies of the powerful. americans have been deceived and victimized by our government’s propaganda, and if art cannot rebuff and contest this grave situation by fueling the political will and imagination of resistance, I wonder why we need it at all.”

Outcry in Delhi over Kashmir massacre

Senior Indian officials yesterday admitted that members of the paramilitary Border Security Force went on a ‘shameful’ rampage of killing in the mountainous north-west state of Kashmir on Wednesday. The state governor, Girish Saxena, has ordered an inquiry into the security forces, who set fire to hundreds of shops and houses and allegedly massacred more than 55 Kashmiri civilians in revenge after separatists ambushed a military patrol. More here.

Alia Amirali: Change Agent in a Stuck Society

in a country where 32% of the population are ages 10 to 24, it’s good to listen to the youth of pakistan and perhaps learn something from how they see their reality.

Alia Amirali is the general secretary of the Student Federation in the Punjab. She is a second-generation change agent in a society that’s stuck. Her project, she begins, is to “rebuild the left” in Pakistan. She is giving us just a hint of a program, and finally a sort of plea to her alienated family and friends: go out and meet a real Pakistani for a change. More here.

vegas and the grand canyon

so vegas is a glorified disney world/cruise ship/strip mall, but the grand canyon is absolutely mind-blowing! i knew that vegas wouldn’t be my thing. after the first moment of shock and amusement at the blatantly fake statue of liberty and eiffel tower, the strip just struck me as a sad sad place. the tourist traffic is relentless and the pawn shops r pretty visible, esp around the old strip. at some point it was the city of crime and sin i guess, now it’s just a depressing mall. but i enjoyed the drive to the grand canyon and all the tiny towns we came across. had lunch in seligman for example at lilo’s westside cafe where they serve german-american food. bought some arizona honey too – pecan flavored, totally delish.

pictures below:

1) elvis is everywhere in las vegas.
2) the beautiful lake mead on the way to arizona.
3) the grand canyon, close to sunset.
4) ravens are much bigger and shinier than crows.
5) a view of the grand canyon from the old watchtower.
6) the havasupai people have lived on the southern rim of the canyon for centuries.
7) with my son.

elvis is everywhere in las vegas.
the beautiful lake mead on the way to arizona.
the grand canyon, close to sunset.

ravens are much bigger and shinier than crows.

a view of the grand canyon from the old watchtower.
the havasupai people have lived on the southern rim of the canyon for centuries.
with my son.

I am sorry for the role I played in Fallujah

much needed revision of what fallujah was all about.

It has been seven years since the end of the second siege of Fallujah – the US assault that left the city in ruins, killed thousands of civilians, and displaced hundreds of thousands more; the assault that poisoned a generation, plaguing the people who live there with cancers and their children with birth defects.

It has been seven years and the lies that justified the assault still perpetuate false beliefs about what we did.

The US veterans who fought there still do not understand who they fought against, or what they were fighting for.

I know, because I am one of those American veterans. In the eyes of many of the people I “served” with, the people of Fallujah remain dehumanised and their resistance fighters are still believed to be terrorists. But unlike most of my counterparts, I understand that I was the aggressor, and that the resistance fighters in Fallujah were defending their city. (Ross Caputi)

More here

Watch Documentaries Online – Occupied Minds

occupied minds: a candidate for the palestinian film festival we’re organizing in rochester. the film touches on many important issues, it’s personal and therefore easier to watch and access. it tries to be balanced (which can be a problematic word in the context of occupation but it’s not here). it lacks a cohesive narrative and doesn’t leave us with any cogent/urgent message but at the same time it manages to cover a wide spectrum of issues in one film w/o making it overwhelming. a great compliment to narrative films. 4 out of 5 for me.