Arrau plays Chopin Nocturne no.20

lucky to hear chopin (including this particular piece) at carnegie hall.

Chopin’s nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own.

One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole. The use of the melody as vocals bestowed a greater emotional depth to the piece, drawing the listener in to a greater extent.

Along with the right-hand melody, Chopin continued the use of another nocturne “necessity,” that of playing broken chords on the left hand to act as the rhythm under his right-handed “vocal” melody.

Another technique used by Field and continued by Chopin was the more extensive use of the pedal. By using the pedal more, the music gains more emotional expression through sustained notes, giving the piece an aura of drama. With these main attributes of the “Field nocturne” Chopin was inspired, and expanded upon them to develop the “Chopin nocturne.”