If you think that you have seen ’emptiness’ as that hole at the heart of the material’s mass, surrounded by a planished facade, then think again. To see the void as a contained negative space indented in the material is only to apprehend its physicality. To figure the depth of the void as providing a perspectival absence within the frame or the genre is to linger too long with the pedagogy of manufacture or the technology of taste. The practice of ‘true making’ occurs only when the material and the non-material tangentially touch. The truly made thing pushes us decisively beyond the illustrational, the ‘look of the void’; the sign of emptiness expands the limits of available space.
Gallery here.