Tim Blight: As someone with an interest in historic architecture, its importance is huge. Bahauddin Zakariya’s shrine was the prototype design for Multan’s future shrines; its square base with a hemispheric roof, heavily carved wooden doors and mud-brick construction, while individually modest, combine to create something that is more than the sum of its parts.
It was no doubt the most appropriate way to end a day which had seen me delving into the depths of Multan’s historic old city, peeling back layers of history, in search of evidence of Multan’s glory as a beacon for those who wonder about what lies beyond this world.
The sun was about to set, and so I took up my position in the corner of the courtyard as the celestial ball of fire descended behind the shrine’s white dome.
The moon started its ascent into the milky twilight, as the azaan rang out over the city, before the hearty sounds of qawwali began to emanate from a group men near the entrance to the tomb — and I knew I had found what I came for. More here.