Alain Badiou: a life in writing

Love, for Badiou, is what follows a deranging chance eruption in one’s life. He puts it philosophically: “The absolute contingency of the encounter takes on the appearance of destiny. The declaration of love marks the transition from chance to destiny and that’s why it is so perilous and so burdened with a kind of horrifying stage fright.” Love’s work consists in conquering that fright. Badiou cites Mallarmé, who saw poetry as “chance defeated word by word”. A loving relationship is similar. “In love, fidelity signifies this extended victory: the randomness of an encounter defeated day after day through the invention of what will endure,” writes Badiou.

“Love and politics are the two great figures of social engagement. Politics is enthusiasm with a collective; with love, two people. So love is the minimal form of communism.” He defines his “real politics” in opposition to what he calls “parliamentary cretinism”. His politics starts with subjective experience, involves a truth procedure and ends, fingers crossed, in a communist society. Why? “It’s necessary to invent a politics that is not identical with power. Real politics is to engage to resolve problems within a collective with enthusiasm. It’s not simply to delegate problems to the professionals. Love is like politics in that it’s not a professional affair. There are no professionals in love, and none in real politics.” More here.