gabriel orozco at the moma

Gabriel Orozco. Installation view of Mobile Matrix (2006) at The Museum of Modern Art, New York. Graphite on gray whale skeleton. 6’ 5 3/16” x 35’ 8 ¾” x 8’ 8 ¾” (196 x 1089 x 266 cm).
the installation’s shape, form and aerial suspension are as interesting as the shadows it produces.

Gabriel Orozco. La DS, 1993. Modified Citroen DS, MOMA, NY
orozco cut a citroen DS into three parts, lengthwise, then appended the car’s exterior elements to the middle section. the end result exaggerates the car’s aerodynamic qualities.

Mobile Matrix

La DS, 1993. Modified Citroen DS

el greco at the onassis cultural center

“Dormition of the Virgin, Syros” by El Greco, The Onassis Cultural Center, NY

A ravishing gathering of fifty religious paintings is really two shows in one. The first follows the blossoming of an Old Master, the painter El Greco (1541-1614), born Domenikos Theotokopoulos on the island of Crete. The second traces an East-West mashup in Greek icon painting, in which the stately flatness of the Byzantine style met the more naturalistic perspective of the Italian Renaissance, influenced by Michelangelo, Raphael, and Titian (in whose workshop El Greco is thought to have apprenticed). — The New Yorker

“The Coronation of the Virgin” by El Greco, The Onassis Cultural Center, NY

The show’s grand finale is the oil study “The Coronation of the Virgin” (c. 1603), painted as if El Greco were gazing into a concave mirror reflecting the vault of heaven. — The New Yorker

“Dormition of the Virgin, Syros” by El Greco

“The Coronation of the Virgin” by El Greco

anish kapoor at the goog

Anish Kapoor. Memory (2008), Guggenheim, NY

Memory is a site-specific work that was conceived to engage two different exhibition locations at the Guggenheim museums in Berlin and New York. Utilizing Cor-Ten steel for the first time, the sculpture represents a milestone in Kapoor’s career. Memory’s thin steel skin, only eight millimeters thick, suggests a form that is ephemeral and unmonumental. The sculpture appears to defy gravity as it gently glances against the periphery of the gallery walls and ceiling. However, as a 24-ton volume, Memory is also raw, industrial, and foreboding. Positioned tightly within the gallery, Memory is never fully visible; instead the work fractures and divides the gallery into several distinct viewing areas.

The division compels visitors to navigate the museum, searching for vantage points that offer only glimpses of the sculpture. This processional method of viewing Memory is an intrinsic aspect of the work. Visitors are asked to contemplate the ensuing fragmentation by attempting to piece together images retained in their minds, exerting effort in the act of seeing—a process Kapoor describes as creating a “mental sculpture.”

[Third viewing area]

most breathtaking. from afar we perceive a two-dimensional black canvas. i was a bit disappointed that this was the third part of the installation. however, i was intrigued by the lushness of the black. was the canvas wrapped in velvet? as u approach the canvas, u suddenly realize that this is a three-dimensional opening, with immense depth. this is in fact the cavernous interior of the sculpture. as it is covered by light-absorbing black tiles it gives the impression of rich color and two-dimensionality. the installation beckons constantly. i had the urge to crawl into spaces around it, to discover it, feel it, see it as one complete structure. the third viewing area was most inviting. there was a line on the floor beyond which we could not venture. it was hard not to pop one’s head into the dark opening. kapoor explains that it’s more than just curiosity which compels us to do so. the darkness that exists within each and everyone of us, attracts us inexorably to the darkness inside the sculpture. love it!

First viewing area: Anish Kapoor’s “Memory”

Third viewing area: Anish Kapoor’s “Memory”

Howard Zinn, historian who challenged status quo, dies at 87

an american hero passes on…

“His writings have changed the consciousness of a generation, and helped open new paths to understanding and its crucial meaning for our lives,” Noam Chomsky, the left-wing activist and MIT professor, once wrote of Dr. Zinn. “When action has been called for, one could always be confident that he would be on the front lines, an example and trustworthy guide.” Full article.

The Image and the Imagined: On Why We’re not Allowed to see Detainee Abuse

The issue is not simply that these photographs pose a danger to the safety of existing soldiers in Iraq and Afghanistan or the 30,000 soon to be deployed, but that they present more evidence that questions the legitimacy of what we now know will be an ongoing war; and this threat to the state’s legitimacy exists both internationally and domestically. The bottom line is that these images will challenge our perception of ourselves, of our national identity, and will exacerbate the anxieties of an administration already struggling to gain public approval. Full article.

Operation Care Rochester – to help people in Afghanistan

Finally a chance to do something concrete to help the people of Afghanistan!

Pls join us Friday, February 26, 2010, 5:30 to 9:30pm
at TRIBECA NIGHT CLUB, 233 Mill Street, ROCHESTER, NY

$10 Donation

For More information and sponsorships visit: www.operationcarerochester.org or contact Julie Behlok: (585) 321-9777, jbehlok@gmail.com.

Rep.Eric Massa will keynote this special event to raise money and collect supplies for the children of Afghanistan displaced by war. Proceeds will benefit the BAYAT FOUNDATION, www.bayatfoundation.org. Donated goods will be shipped thru OPERATION CARE.

Reflections on Rancière’s art-politics in lieu of the perspective of Deleuze and Guattari

“…today art must indict – or at the very least play the role of the jester who unmasks the unspeakable lies of the powerful. It is now widely recognized that Americans (and the Western World for the most part) have been deceived and victimized by governmental propaganda and if art cannot rebuff and contest this grave …situation by fueling the political will and imagination of resistance, I wonder why we need it at all – other than to make rich people richer. In the current political world it is painfully obvious that we need investigative strength of mind to heal our intelligence, and so an art that demands a mental mood of investigation would support such a need.” Full article.

Mon rêve familier” by Paul Verlaine

Mon rêve familier

Je fais souvent ce rêve étrange et pénétrant
D’une femme inconnue, et que j’aime, et qui m’aime,
Et qui n’est, chaque fois, ni tout à fait la même
Ni tout à fait une autre, et m’aime et me comprend.

Car elle me comprend, et mon coeur transparent
Pour elle seule, hélas! cesse d’être un problème
Pour elle seule, et les moiteurs de mon front blême,
Elle seule les sait rafraîchir, en pleurant.

Est-elle brune, blonde ou rousse? Je l’ignore.
Son nom? Je me souviens qu’il est doux et sonore,
Comme ceux des aimés que la vie exila.

Son regard est pareil au regard des statues,
Et, pour sa voix, lointaine, et calme, et grave, elle a
L’inflexion des voix chères qui se sont tues.

Paul Verlaine (Poèmes saturniens)

My familiar dream

I often have this strange, engrossing dream
of an unknown woman, whom I love and who loves me,
and who, each time, is never quite the same
nor completely another, and who loves and understands.

For she understands me; my heart, an open book
to her alone (alas), is no longer a problem,
at least not to her; and when my pale brow is clammy
she alone knows how to refresh it, with her tears.

Is she brunette, blonde or redheaded? I don’t know.
Her name? I recall that it’s sweet and sonorous
like the names of lovers whom Life sent into exile.

Her gaze is like the gaze of a statue,
and her voice – her distant, calm deep voice –
has the inflection of beloved voices that have fallen silent

(Translation from French to English by Peter Low)

gustav klimt

The Power and Necessity of Dissent

On Jan 21st, a group of student activists at Georgetown University provided guest speaker, General Patraeus, with an unexpected welcome, interrupting his address by reading out the names and ages of those killed in the wars in Iraq and Afghanistan. In the process, they’ve reminded us of the power and necessity of dissent which, in this case, was effectively achieved by less than a dozen remarkable students.

Torture Didn’t Work for the French in Algeria Either

The French case provides eerie parallels to today, when we are faced every day with new allegations about the use of torture in Iraq, Afghanistan and Guantanamo. A democracy like the United States, France has long affirmed support for human rights. Like the United States, it resorted to extreme forms of coercion as part of a war against what it called “terrorists.”

France won key battles by torturing suspects for intelligence. But the bigger lesson is that it lost the war. The fact that French military leaders resorted to the extensive use of torture shows that they had lost the support of the populace at large. Full article.

Anish Kapoor: Memory at Deutsche Guggenheim Berlin

Saw Anish Kapoor’s site-specific sculpture, titled “Memory”. It is a 24 ton Cor-Ten steel tank, that sits tightly within the Guggenheim’s gallery space. Thus, the viewer has two distinct views of the work. In addition to that, a staircase leading down from the Guggenheim’s store offers a view into Memory’s dark, cavernous interior through a two-meter square aperture window. By this, the viewer has three perspectives he has to put together again in his memory.

Anish Kapoor was born in 1954 in Mumbai, India. He lives and works in London. The exhibition has been curated by Sandhini Poddar. The show will travel to the Solomon R. Guggenheim Museum in New York at a date to be announced.

This video contains statements by the curator of the exhibition, Sandhini Poddar, and an interview with Anish Kapoor.

A letter from someone working on the ground in Haiti

“I received this from my friend Marajelena, whose friends Sasha and Amber went down to Haiti to volunteer.”

Subject: Kouraj cherie: Update from Port au Prince

January 19, 2010

This afternoon, feeling helpless, we decided to take a van down to Champs Mars (the area around the palace) to look for people needing medical care to bring to Matthew 25, the guesthouse where we are staying which has been transformed into a field hospital. Since we arrived in Port au Prince everyone has told us that you cannot go into the area around the palace because of violence and insecurity. I was in awe as we walked into downtown, among the flattened buildings, in the shadow of the fallen palace, amongst the swarms of displaced people there was calm and solidarity. We wound our way through the camp asking for injured people who needed to get to the hospital.

Despite everyone telling us that as soon as we did this we would be mobbed by people, I was amazed as we approached each tent people gently pointed us towards their neighbors, guiding us to those who were suffering the most. We picked up 5 badly injured people and drove towards an area where Ellie and Berto had passed a woman earlier. When they saw her she was lying on the side of the road with a broken leg screaming for help, as they were on foot they could not help her at the time so we went back to try to find her. Incredibly we found her relatively quickly at the top of a hill of shattered houses. The sun was setting and the community helped to carry her down the hill on a refrigerator door, tough looking guys smiled in our direction calling out “bonswa Cherie” and “kouraj”.

When we got back to Matthew 25 it was dark and we carried the patients back into the soccer field/tent village/hospital where the team of doctors had been working tirelessly all day. Although they had officially closed down for the evening, they agreed to see the patients we had brought. Once our patients were settled in we came back into the house to find the doctors amputating a foot on the dining room table. The patient lay calmly, awake but far away under the fog of ketamine. Half way through the surgery we heard a clamor outside and ran out to see what it was. A large yellow truck was parked in front of the gate and rapidly unloading hundreds of bags of food over our fence, the hungry crowd had already begun to gather and
in the dark it was hard to decide how to best distribute the food. Knowing that we could not sleep in the house with all of this food and so many starving people in the neighborhood, our friend Amber (who is experienced in food distribution) snapped into action and began to get everyone in the crowd into a line that stretched down the road. We braced ourselves for the fighting that we had heard would come but in a miraculous display of restraint and compassion people lined up to get the food and one by one the bags were handed out without a single serious incident.

During the food distribution the doctors called to see if anyone could help to bury the amputated leg in the backyard. As I have no
experience with food distribution I offered to help with the leg. I went into the back with Ellie and Berto and we dug a hole and placed the leg in it, covering it with soil and cement rubble. By the time we got back into the house the food had all been istributed and the patient Anderson was waking up. The doctors asked for a translator so I went and sat by his stretcher explaining to him that the surgery had gone well and he was going to live. His family had gone home so he was alone so Ellie and I took turns sitting with him as he came out from under the drugs. I sat and talked to Anderson for hours as he drifted in and out of consciousness. At one point one of the Haitian men working at the hospital came in and leaned over Anderson and said
to him in kreyol “listen man even if your family could not be here tonight we want you to know that everyone here loves you, we are all your brothers and sisters”. Cat and I have barely shed a tear through all of this, the sky could fall and we would not bat an eye, but when I told her this story this morning the tears just began rolling down her face, as they are mine as I am writing this. Sometimes it is the kindness and not the horror that can break the numbness that we are all lost in right now.

So, don’t believe Anderson Cooper when he says that Haiti is a hotbed for violence and riots, it is just not the case. In the darkest of times, Haiti has proven to be a country of brave, resilient and kind people and it is that behavior that is far more prevalent than the isolated incidents of violence. Please pass this on to as many people as you can so that they can see the light of Haiti, cutting through the darkness, the light that will heal this nation.

We are safe. We love you all and I will write again when I can.
Thank you for your generosity and compassion.

With love from Port au Prince,
Sasha

How I fought to survive Guantánamo

I didn’t realise what was going on until the guy had pushed his fingers ­ inside my eyes and I could feel the coldness of his fingers. Then I realised he was trying to gouge out my eyes,” Deghayes says. He wanted to scream in agony, but was determined not to give his torturers the satisfaction. Then the officer standing over him instructed the eye-stabber to push harder. “When he pulled his hands out, I remember I couldn’t see anything – I’d lost sight completely in both eyes.” Deghayes was dumped in a cell, fluid streaming from his eyes. Full article.